Featuring: Alla Vita and a Bellemore Post-Mortem
The “Mickey Mouse factor” refers to the phenomenon in which children who are picky eaters at home are willing to try all sorts of new foods within Disney’s theme parks. If you extricate the concept from its theme park setting and apply it towards dining writ large, the mechanism actually proves quite enlightening.
Milk Bar, in its current, dysfunctional state, is nothing but a scourge to the American food system. It snares consumers with style over substance, fails to educate them in any manner of pastry appreciation, and, ultimately, leaves them high and dry with neither cake nor money. You hope you have given some voice and sense of permanence to the many complaints of consumers whom have been wronged by Tosi’s lust for profits.
Like children staring up at Rainforest Cafe’s artificial night sky (or shaking from the booms and quakes of its fake thunderstorms), Alinea’s customers are served an illusion. They are led to believe that a food’s trappings are valuable even when divorced from satisfying flavors, from nature, or from nostalgia. They are tricked into thinking that a restaurant which denies dining’s transcendent, human dimension has any value as a conjurer of culinary gibberish. They are, ultimately, suckers who are being sold a future where a restaurant’s quality grows with how “Instagrammable” the experience is.
The “enlightened” fine diner’s goal, when all is said and done, has little to do with fulfilling personal pleasure. Their goal should be an appreciation of an establishment’s distinction–relative to any other place in the world–through understanding what is done and why.
Reviewing restaurants with respect to “reality” rather than “hyperreality” means enveloping oneself in the insecurities of an audience that has little to no experience with “fine dining.” It means preserving the magic, educating the consumer when necessary, but never letting one’s cynicism infect the experience (let alone the political axes one has to grind). A critic should challenge their reader without ever blowing smoke up their ass.
In the age of airborne viral transmission, the relationship between “server” and “served” has never been more consequential and, ironically, impersonal.
Ciccio Mio is the red sauce joint of your dreams, the greatest common divisor of every good thing that every Italian-American restaurant has done in the century (or so) since the diaspora wove the trodden souls of Naples, Palermo, and Genoa into the fabric of domestic life. Does that mean Ciccio Mio is the best Italian restaurant in Chicago? Why, yes, it does. Tied for “best,” at least, depending on just what one considers “Italian” and whether diaspora culture the whole country over is destined for preservation or renovation. “Authenticity,” you guess, is the name of the game, and Hogsalt’s newest restaurant brings one of modern dining’s most contentious questions to the fore.
Bavette’s Bar & Boeuf excels in Chicago’s crowded steakhouse scene by consciously subverting so many of the nasty tropes that have plagued this genre of restaurants nationwide. There is little glitz and even less glamour…
If critics of the screen and stage can single out individual actors for praise and criticism, then why can’t restaurant critics?